Painting technique

U. Baldini, Un Leonardo inedito, Firenze 1992.

Robert, Bellucci, "Underdrawing dell'Annunciazione e la prospettiva di Leonardo", in: Leonardo da Vinci and Optics: Theory and Pictorial Practice, edited by Francesca Fiorani & Alessandro Nova, Venice 2013, pp. 247-264.

Pinin Brambilla Barcilon & Pietro Marani. Leonardo: the Last Supper, translated by Harlow Tighe. Chicago, 2001. 

Cecilia Frosinini, "L'Adorazione dei Magi di Leonardo da Vinci e le prime indagini diagnostiche presso l'Opificio delle Pietre Dure", in: Leonardo da Vinci and Optics: Theory and Pictorial Practice, edited by Francesca Fiorani & Alessandro Nova, Venice 2013, pp. 333-352.

Pierre Curie & Cinzia Pasquali, “Restaurer la Sainte Anne”, in La Sainte Anne. L’ultime chef-d’-oeuvre de Léonard de Vinci, exhibition catalogue edited by V. Delieuvin (Paris, Musée du Louvre), Paris/Milan 2012, pp. 381-392.

A. Del Serra, “Il restauro,” in: Lo sguardo degli angeli: Verrocchio, Leonardo e il Battesimo di Cristo, edited by Antonio Natali, Milan 1998, pp. 95-118. 

A. Del Serra, “L’incanto dell’Annuncio. Rendiconto di restauro,” in: L’Annunciazione di Leonardo. La montagna sul mare, edited by Antonio Natali, Milan 2000, pp. 95-111.

Jill Dunkerton. “Leonardo in Verrocchio’s workshop: re-examining the technical evidence”, in: National Gallery technical bulletin 32 (2011): pp. 4–31. 

Mady Elias & Pascal Cotte. “Multispectral camera and radiative transfer equation used to depict Leonardo’s sfumato in the Mona Lisa”, Applied optics 47, no. 12 (2008): pp. 2146-2154.

Miriam Eveno, Bruno Mottin & Elisabeth Ravaud, “La mise en oeuvre de la Sainte Anne”, in La Sainte Anne. L’ultime chef-d’-oeuvre de Léonard de Vinci, exhibition catalogue edited by V. Delieuvin (Paris, Musée du Louvre), Paris/Milan 2012, pp. 366-380.

L. Keith, “In pursuit of perfection. Leonardo’s painting technique,” in: Leonardo da Vinci painter at the court of Milan, ed. by L. Syson & L. Keith, exhibition catalogue (London, National Gallery), London 2011, pp. 54-77.

L. Keith, A. Roy, R. Morrison & P. Schade, “Leonardo da Vinci’s Virgin of the Rocks: Treatment, technique and display,” in: National Gallery Technical Bulletin, 32 (2011), pp. 32-56.

J. P. Mohen, M. Menu & B. Mottin, Mona Lisa: Inside the painting, New York 2006.

M. Seracini, “Indagini diagnostiche sulla Adorazione dei magi di Leonardo da Vinci”, in: La mente di Leonardo: Nel laboratorio del genio universale, exhibition catalogue (Florence, Galleria degli Uffizi), ed. by P. Galluzzi, Firenze 2006, pp. 94-101.

L. Syson, Leonardo da Vinci painter at the court of Milan, exhibition catalogue (London, National Gallery), London 2011.