Publications

Articles

  • “The Story of the palla: Verrocchio's Soldering and Leonardo's Painting,” in Approaches to Art and Science: Essays in Honor of Martin Kemp, ed. Juliana Barone & Matthew Landrus, Oxford & New York: Oxford U.P., expected publication 2014.
  • “Renaissance Mapping, Ancient Geographical Knowledge and Modern Voyages,” in The Cambridge Companion Guide to the Italian Renaissance, ed. Michael W. Wyatt, Cambridge & London: Cambridge U.P., expected publication 2014.
  • “The Genealogy of Leonardo’s Shadows in a Drapery Study,” in Festschrift for Joseph Connors, ed. Machtelt Israel & Louis A. Waldman, The Villa I Tatti Series (2013), Cambridge/MA: Harvard U.P., expected publication 2013.
  • “Leonardo’s Optics in the 1470s,” in Leonardo’s Optics: Theory and Pictorial Practice, ed.Francesca Fiorani & Alessandro Nova, Venice: Marsilio Editore, expected publication 2013.
  • “Places of Renaissance Mapping,” in Herrschaft Verorten Politische Kartographie des Mittelalters und der Frühen Neuzeit, ed. Ingrid Baumgärtner & Martina Stercken, Zurich: Chronos, 2012, pp. 125-142.
  • “Bartolo di Fredi’s View of Siena as the New Jerusalem,” in Bartolo di Fredi’s Adoration of the Magi: A Masterpiece Reconstructed, ed. Bruce Boucher & Francesca Fiorani, exhibition catalogue, Charlottesville: University of Virginia Art Museum, 2012, pp. 15-22.
  • “Da Bologna al mondo: astronomia, cartografia, giurisprudenza e la chiesa universale di Gregorio XIII,” in La Sala Bologna, ed. Francesco Ceccarelli, Venice: Marsilio Editore, 2011, pp. 9-23.
  • The Shadows of Leonardo’s Annunciation and Their Lost Legacy,” in Imitation, Representation and Printing in the Italian Renaissance, ed. Roy Eriksen & Magne Malmanger, Pisa & Rome: Fabrizio Serra Editore, 2009, pp. 119-156.
  • “The Colors of Leonardo’s Shadows,” in Leonardo. The International Society of the Arts, Sciences and Technologies 41, vol. 3 (2008), pp. 271-278.
  • “The Theory of Shadow Projection and Aerial Perspective. Leonardo, Desargues and Bosse,” in Lichtgefüge des 17. Jahrhunderts. Rembrant und Vermeer, Leibnitz und Spinoza, ed. Carolin Bohlmann, Thomas Fink & Philipp Weiss, Munich: Wilhelm Fink, 2008, pp. 191-206 (anthologized article from 1994).

 

  • “Painted Map Cycles in the Renaissance,” in History of Cartography, Volume Three: The Renaissance, ed. David Woodward, Chicago: Chicago U.P., 2007, pp. 803-835.
  • “La Sala Bologna di Gregorio XIII,” in Iconografia delle cittá europee, ed. Cesare De Seta, Naples: Electa, 2004, pp. 179-187.
  • “Danti Edits Vignola. The Formation of a Modern Classic on Perspective,” in The Treatise on Perspective. Published and Unpublished, ed. Lyle Massey, Center for Advanced Study in the Visual Arts, Studies in the History of Art 59 (2003), pp. 127-159.
  • “Maps, Politics and the Grand Duke of Florence. The Sala della Guardaroba Nuova of Cosimo I de’ Medici”, Renaissance Representations of the Prince. Basilike Eikon, ed. Roy Eriksen & Magne Malmanger, Rome: Edizioni Kappa, 2001, 73-102.
  • “Post-tridentine Geographia sacra: The Galleria delle Carte Geografiche in the Vatican Palace,” in Imago Mundi 48 (1996), pp. 124-148.
  • “The Theory of Shadow Projection and Aerial Perspective. Leonardo, Desargues and Bosse,” in Desargues en son temps, ed. Jean Dhombres & Jacques Sakarovitch, Paris, 1994, pp. 267-282.
    Anthologized
    Leonardo da Vinci. Selected Scholarship in English, 5 vols.,
    ed. Claire Farago, New York: Garlands, 1999, vol. 4,
    pp. 215-230.
    Lichtgefüge des 17. Jahrhunderts. Rembrant und Vermeer,
    Leibnitz und Spinoza
    , ed. Carolin Bohlmann, Thomas Fink &
    Philipp Weiss, Munich: Wilhelm Fink, 2008, pp. 191-206.
  • “Abraham Bosse e le prime critiche al Trattato della Pittura di Leonardo,” in Achademia Leonardo Vinci 5 (1992), pp. 78-95.
  • “Il problema della scelta del soggetto: le mostre d’arte a Weimar, 1799-1805,” in Ricerche di Storia dell'Arte 33 (1987), pp. 19-30.