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HYBRID
CITIES
[GATTEGNO: ARCH 202: SPRING 2004] |
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| "The
hybrid nature of the contemporary project alludes to the current simultaneity
of realities and categories, relating no longer to harmonious and coherent
bodies, but rather to mongrel scenarios made up of structures and identities
in parasitic coexistence." [Manuel Gausa, Dictionary of Advanced Architecture] This final project will focus on developing a new kind of "interchange" for DC Northeast, a new urban hybrid that considers the possibilities of hybridizing / mixing / cross-breeding / joining, previously distinct and separated elements. The urban condition that we have already observed in Washington is one of layering and coexistence of urban fabric and infrastructure. How could one design within this infrastructural fabric? How might one connect to infrastructure? Instead of layering programme, infrastructure and fabric, could one start mixing and recombining the components that make up a building on a site in order to generate new configurations and new ways of understanding and operating within an urban environment? The site that we will be using to test our hypothesis is located at an infrastructural crossing: next to Union Station and the under-construction infill station on New York and Florida avenues, on the side of a transportation bundle that incorporates Amtrak, Metro, freight, the DC Greyhound bus station, a bike path, a vehicular underpass and the 395 subterranean exit. The corner of K Street and North Capitol is also located at a point of human crossing: there are at least 9 schools within a one block distance of the site, the Greyhound bus station is a popular hub into the city and the railway lines bisect a highly residential side to the East from a commercial area to the West. You are asked to design a Media Arts Interchange that will transform the simple 'crossing' of all these forces on the site. You are asked to fully engage the flow and movement of people and infrastructure and design an interchange that will invigorate the surrounding area and introduce a series of programmes that are to be used by locals and tourists, residents and visitors, students and businesses: a media arts center that follows the equation: [MAI] = performance + film screening + workshops + gardens + exhibition space + café The [MAI] is open 24 hours a day - it is a dynamic building able to choreograph a series of possible scenarios. In the morning, it could be used by visitors and tourists, community groups and school rehearsals. In the afternoon, schools may use the workshop spaces, while the gardens are open to the public and the lecture hall could be open for community meetings. In the evening, dance performances, film screenings and exhibitions could take over the space and by night the building might be given back to the community with a series of night classes and late-night film screenings. What is interior and exterior space is blurred, public and private divisions are erased and the [MAI] transforms into an interchange for people, infrastructure and programme. |
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| Approximate Square Footage: | ||
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6
workshops / classrooms /digital labs |
1800sf |
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| SCHEDULE: | ||
| M [03_15_04] | PROJECT 03: intro | Lecture: Nataly Gattegno [2pm: room 158] |
| W [03_17_04] | ||
| F [03_19_04] | DC FILED TRIP | meet 12:30pm Culbreth Theater Parking Lot |
| M [03_22_04] | Pin-up | [room 304] |
| W [03_24_04] | Lecture: Elizabeth Meyer: Inside / Outside [2pm: room 158] | |
| F [03_26_04] | Woltz Symposium | |
| M [03_29_04] | ||
| W [03_31_04] | ||
| F [04_02_04] | MIDREVIEW 01 | [jury room B] |
| M [04_05_04] | Lecture:
Elizabeth Meyer: Elements of Urban Landscape Infrastructure [2pm: room 158] |
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| W [04_07_04] | ||
| F [04_09_04] | ||
| M [04_12_04] | TL Medalist Lecture | |
| w [04_14_04] | MIDREVIEW 02 | [jury room C] |
| F [04_16_04] | Lecture:
Tim Stenson [4pm: room 158] Rafael Vinoly Lecture |
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| M [04_19_04] | ||
| W [04_21_04] | ||
| F [04_23_04] | DEADLINE PROJECT 03: SUNDAY 04_25_04: 10pm | |
| M [04_26_04] | FINAL REVIEW | FACULTY WALK - THROUGH: 10am - 12pm |
| [04_28_04] - [05_07_04] | FINAL REVIEW WEEK | |
| [MAI]>> 01 | ||
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Rem
Koolhaas, Euralille
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| FOR
FRIDAY 3/19/04:
"Hybrid: Something of mixed origin or composition. [Genetics]: The offspring of genetically dissimilar parents or stock, especially the offspring produced by breeding plants or animals of different varieties, species, or races." [Oxford English Dictionary] We will now focus on the programmatic dimension of the project keeping in mind the site conditions that you discovered in your analytic models and the discussions that we have had about the possibility for 'hybridizing' the programme that you have been assigned. [MAI] = performance + film screening + workshops + gardens + exhibition space + café You are asked to generate an 18" x 24" collage of the possible ways that you could hybridize the programme of the [MAI]. Work by collaging, overlaying, superimposing images, textures, text, site information in order to generate an abstract drawing / image that represents you ideas about the programme. This is an abstract drawing that works with the adjacencies, overlaps and possible combinations of programme - it is NOT dependent on square footage requirements. |
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| [MAI]>> 02 | ||
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Kordetzky
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| FOR
MONDAY 3/22/04:
"Urban densities and evolving building techniques have affected the mixing of functions, pilling one atop the another, defying critics who contend that a building should 'look like what it is." [Steven Holl] You
have now visited the site, explored certain elements that interest you
and hopefully come to certain conclusions about the qualities of the site
that you would like to focus on and explore. |
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| [MAI]>> 03 | ||
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|
Stan
Allen, Logistical Activities Zone Manual
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| IN
STUDIO EXERCISE [3/31/04]: 1. Work on producing at least 4 diagrams [ex: site, hybrid programme, layering, structure etc.]. Make your selection wisely - the diagrams you produce should be used to explain your project and one of them should be representative of your thesis. These are diagrams that you will use for your review, so carefully work into them. 2. Write a 200 word thesis and work on an 11" x 17" drawing / image that combines this piece of text with a series of images/ drawings representing your idea.
We will be joined by Beth Meyer. I will send you a review order on Thursday - please make sure you are pinned up by 2pm. |
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| [MAI]>> 04 | ||
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Stan
Allen, Korean American Museum of art, Los Angeles, 1995
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| FRIDAY
4/09/04 [in studio exercise]:
"Are cities still necessary? Do we still need the paraphernalia of a metropolis to house the executive function of a capital city? This leads us to the proposition that the whole city may be contained in a single building." [Archigram, Plug-In City] Work
on two drawings that represents the way in which your proposal connects
to the larger systems that we investigated in the first project and revealed
in the second project. These are drawings that ask you to explore the
connectivity and interdependence of your design within the larger context
of the city of Washington DC and potentially the eastern United States.
Select systems that are representative of your approach: green space /
power / infrastructure / demographics are a couple examples, you should
however venture further.
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| [MAI]>> 05 | ||
| MIDREVIEW
REQUIREMENTS: [For Wednesday, April 14th, 2pm, jury room C]
We will be joined by John Quale. I will send you a review order on Tuesday - please make sure you are pinned up by 2pm. |
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