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SLAV 512, November 4, 2003

 

Look at Jung: in context of Freud

 

Freud - mind blank at birth

Unconscious filled with the repressed upsurges of the id, libido

Upsurges of libido into ego

Repressed by ego

Room model and Jaynes comments on modeling tendency of conscious thinking

 

If the repressed material causes pathology

Should be brought to the surface

So that the conscious/ego can deal with it

 

His focus on patients and pathology

Implication that repression is always bad and harmful

Reaction

People screaming at concerts

Doing "their own thing"

Children of Counterculture and realizing Oedipal fantasies of the child

 

Freud himself actually encourages repression

Sublimation produces art, scholarship

 

Freudian unconscious filled with material of what happened during a particular, individual life

But not in pure form, in symbolic form

Repressed material too frightening to be dealt with directly

Turned into symbols, same way it is in dreams

 

Many feelings, desires not acceptable

Sexual feelings for mother

Sexual feelings per se

Resentment of same sex parent

 

But, though feelings not acceptable, still exist and still strive for expression

 

(Aside on urge for expression)

 

Expression of these feelings occurs in symbols

Plucking flower - of mother, of daughter

Swimming and flying

Killing giants and dragons

Dark tunnels and other passages, esp. with

Slime

Teeth/clashing rocks = vagina dentata stories

Tales can be seen as a way to provide the child with a vocabulary for the expression that he needs for his mental well-being

Older child can play with dolls, or toy dinosaurs

Younger child needs help coming up with ways of expressing his emotions

Giant = dad, etc.

 

In the case of pathology,

Because these feelings are unacceptable and masked in symbols

Need trained therapist to discern true meaning of the symbol for the individual

 

Recognizes that many symbols are shared, common

(How therapist is able to interpret)

But attributes most of this to shared experience

 

Freud's focus on pathology

The individual and particular/peculiar

Freud's fear of the unconscious and goal of bringing the material of the unconscious up to the conscious, so the latter could take care of it

 

Jung - mind not blank at birth

Filled with memory of the development of the human race - the collective unconscious

 

Tabula rasa debate

Nature/nurture debate

Recent - IQ - to what extent determined at birth

To what extent determined by what done to child - stimulation

New test for baby intelligence

The various twins separated at birth experiments

 

Trend now is to emphasis the nature over the nurture

What is inborn, genetically determined?

More important than what happens to child

Political component of this stance

 

To what extent is government responsible for the well-being of children?

If you say problems are in-born, then government doesn't have to do much

Economic component - interest of drug companies in saying that this is something that CANNOT be taken care of through the "talking cure," needs medication

 

For Jung -

Contents of a particular person's unconscious

The collective unconscious - memory of human race

Plus individual experiences

(Repressed material somewhat like Freud)

Both - but collective more important

Structures the individual experiences

 

Collective - form, slot, generic, -emic unit

Personal - what fills slot, nominal, -etic unit

 

Jung's focus on what is shared

Rather than individual and peculiar

Comment on Jung in Med School library

Use of Jung in material with intended mass appeal

Advertisements

MTV

Lucas and Star Wars

TRC

Business

 

Jung tries to describe the unconscious

Being unconscious - not fully graspable by conscious

Seething protein mass

Because he cannot describe, tries to evoke

By artistic means

Contradictory nature of his writings

 

Seething protein mass of the unconscious tends to cluster

Clusters of ideas called archetypes

(Distinguish from historic-geographic archetypes)

 

Cannot define - name

Anima/animus

Mother

Child

Old man

Shadow

 

Archetypes as a grid through which the unconscious manifests itself to the conscious

Gives form to the unconscious

 

Jung mind model

Not ego or conscious alone

Ego (conscious par excellence) and

That part of the unconscious of which the ego is aware

Not necessarily articulate

Unconscious manifests self to ego through archetypes

 

This whole thing is Jungian model of mind

His term for it - psyche or self (not ego)

 

Archetype itself structured along axes of polar opposites

 

Anima - an opposite to the man in whose mind it is an archetype

 

Opposite further

Anima - old

Young

Kind and helpful

Devouring and destructive

 

Examples from tales

 

Structure by opposites extremely powerful

As such, can encompass a great deal

The variable axes

 

Traditional - Indian goddess Kali

Birth and death

Severed heads on her belt

Diana the huntress (killer) and also the protector of women in childbirth

 

Very powerful images structured on opposites used in commercials

Women sell men's clothing

How to sell Van-Heusen shirt

How to sell pantyhose - everyone remembers Joe Namath

Woman juxtaposed to man (sell products to men) and juxtaposed to animal

Woman - soft and cuddly

Juxtaposed to strong animal - horse to sell cologne: British Sterling

Juxtaposed to ferocious animal - cougar to sell cars

Calvin Klein ads using children

 

Fresh air motif in cigarette commercials

Hiking, out-of-doors

 

Strength of the bond of love-hate relationships

Story of O

Formulas for writing Romances - guy should be bastard to start out with

Lovers of very different ages - Lolita

John Barth and the boredom of the perfect wife - uni-dimensional

The power of abusive relationships - difficulty in breaking away

Bond to nurturing/destructive parents - Psycho

 

Other opposites - the Borg

Imperial walkers in Star Wars II - scarier because they are machine and animal form

Yours truly - immaculate, yet talk about poop, pee, snot, etc.

Dennis Rodman

 

Doctor who is going to stick fingers in various dirty parts of you has to be super clean and wear white coat

This is the person who really should be dressed in messy outfit - esp. the one who will go and cut you, but absolutely not

 

Something that contains within it an opposition is perceived as greater, more powerful in some way

 

The wisdom of fairytales in this regard

Hero or heroine knows not to reject what seems disgusting

Drinking from the river of pus or the blood fountain

Removing the thorn from the paw of the lion

Knowing that the girl in the Pigskin cloak or Cinderella is beautiful and that the frog is lovable

 

Divine wisdom/mystery

The power of Mother Theresa

Please note that, to balance, the process of ascension to sainthood is very formal, rigid and structured

 

Let us assume that unconscious, structured by the archetypes built on polar opposites exists

Then ---

Child establishes ego

After this, makes journey to explore the unconscious

(About age 10 - period of many nightmares)

Journey called process of individuation - establishing self in Jungian terms, establishing self as person, one's personal version of the collective unconscious

Also called integration - joining of conscious and unconscious

 

(As therapist, Jung talks about adults, posits some never make this journey of discovery, remain blobs)

At same time implies this journey normal

Should be made

Trying to somehow suppress or get rid of the unconscious

Impossible

Or at least leads to mental illness

Like trying to get rid of a physical organ of the body

 

Journey into unconscious starts in late childhood

Unconscious part very frightening and threatening, but must be dealt with, as above

One of reasons for fear - apparent threat of unconscious to take over conscious mind

 

Another reason for fear

1st archetype encountered on journey of individuation - the shadow!

All the negative aspects of the self - what the ego does not like

Pictured as deep, dark well

Dark, uncontrollable, instinctual, violent

(Jaynes and metaphor of vision)

Its representation as something deformed, particularly in the head

Phantom of the opera

Darth Vader

 

One of best examples of the encounter with the shadow is Empire Strikes Back and the education of Luke (mental)

By Yoda in the swamp - nice for seething protein mass of unconscious

Luke made to crawl through a dark passage - one of first stages of training, needless to say

Encounters Darth Vader as self

 

Necessary to admit shadow (Darth/dark) part of self exists

Threat of unconscious to take over - Darth Vader calls Luke to join him

Attempt to get rid of unconscious part of self, esp. in shadow form

Like excision of physical organ - Luke's hand

 

Darth Vader does become incorporated into self in final one of the three movies

 

Yoda as old man archetype - teacher, wise, ancient

At same time child-like

Size

Curiosity

Baby talk - or speech in contradictory and wise sayings

Strange food

Seeming inability to take care of self

 

The Jabba the Hut scene in 2nd Star Wars - Wrath of Khan

Leia as anima - object of sexual desire and sister

Masculine and feminine

Appears as bounty hunter in front of Jabba the Hut - not recognized as being female

Then nearly naked (and sexy) slave

Remember also that she is vulnerable and needs to be rescued and is also

Companion and fighter who battles along side Luke and Han Solo

 

Jabba as a shadow - libidinal and devouring

How he behaves - even has a little creature called Salacious Crumb?

Threatens to devour like the unconscious -

The monster in the underground dungeon into which Luke falls

Throws all of the heroes into a sand monster in the dessert - this seems like a pit, but is the mouth of this huge devouring creature

 

VISCERAL thinking and the various things with animal heads - in the Jabba the Hut scene

In the various Star Treks

Visceral thinking can be animal head on relatively human body

Can be head on your viscera - stomach

Old pictures of devils and other demons

 

Journey of individuation implies a kind of sequence

Though not all that clear - recall Jung evocative and contradictory

First archetype is shadow - pretty sure

Very large, encompasses a great deal

All negative of self

Final archetype very large - opposite sex version of self

Anima for man

Animus for woman

Represents unconscious in totality again - only now not negative - positive and attractive as physical mate

Union with same - represented by marriage (as in tales)

 

Various intermediate smaller archetypes

Mother

Old man

Child

Idea of syzygy - archetype pairs

R2D2 and C3PO

Han and Chewbacca

 

Discovering and dealing with one's archetypes done by

Interaction with real, external world

Projection of one's archetypes on to people of ones surroundings

Also with the help of material such as in fairytales

The various dramatis personae described by Propp do very nicely as the various Jungian archetypes

 

Why dealing with as many archetypes as possible

In as many of their manifestations as possible

(The polar axes)

Desirable

Greater knowledge of own mind - its unconscious component

 

Greater mental health

Problem - repression of urge

Something in unconscious causing pathology

If more archetypes known and more manifestations of them known -

Easier to call up the pathological material from the unconscious to the conscious and deal with it

Greater self-knowledge - wiser, more interesting, artistic, religious person - mentally richer

Better able to produce good stories (and other art), good commercials, and MTV videos

 

Recall once more - power of the Propping pattern

Power of Jungian imagery - the archetypes and their structure

CONNECT JUNG AND PROPP

Show that tales actually are like Jungian journeys:

 

Propp's lack of motivation and character development in tales, of tale characters - now understood

All are aspects of one personality, individual

Tale is process within one's self

Journey to encounter various aspects of self

 

If tales have to do with internal journey into self

Explains many of the peculiar features/problems of Propp

 

Contradictory attributes of the dramatis personae

 

Another problem with Propp - attributes of the dramatis personae

Seems anything can fit into slot, but not so

Can appear to be infinite - precisely if it corresponds to an archetype

 

Stories of boy hero and his journeys

Anima can take all sorts of forms

Can be girl he marries

Can be his sister, with whom he is united in the end

Brother/sister, boy turned into deer

But must be opposite sex pair

Opposite sex pairs in TV sitcoms

 

Also, tendency in Western society for boy heroes

Leads male to see self as ego par excellence

Female to see self as other, unconscious

 

Tales like multiple journeys into the unknown

Like recurring dreams of adulthood

Variation and yet sameness - as noted by Propp

 

Could be reason why Propp pattern found all over the place, too

Multiple journeys within and encounter of same archetypes

But different facets of the archetypes

X and various non-X

 

Propp's morphology IS a fundamental pattern of human (subconscious) thought

It is the basic "journey," that within

 

Folktales and Propping patterned stories not only the same

With variation

Not only found all over the place and pleasurable

Note also positive outcome - marriage and rule

Integration of the psyche

 

You CANNOT tell a child a negative (outcome) story

Greg's concern for positive outcome

What happens when he watches Tin Soldier one morning?

Especially at the stage before integration has been achieved

(The first, not the second level)

Positive and negative endings in material for adults

If ill adult - mentally or physically (shamanism)

Must be told a positive outcome story

Section in Bettelheim about using folktales for adults with mental problems

Go back and redo what tales already did for most kids

Folktale-like material for NORMAL adults when there is a SOCIAL PROBLEM

SOCIAL UPHEAVAL

 

 

Blok's Neznakomka

The Russian idea of motherland which loves and protects and also demands the ultimate sacrifice

Love and hatred for Stalin

The good father and the tormentor

 

Legendary leaders and legends about leaders

Abe Lincoln - smart, but educated in 1-room school house

George Washington - rebellious, but conforming to all moral codes imposed by parents

The cherry tree

 

The appeal of story-like characters like Arnold Schwartzenagger

Notice his good guy-bad guy switch in the Terminator series

 

The trickster figure and animal tales

The trickster is wily and foolish

The wisdom of the child (before social norms and their limitations are imposed

And of course the child does not know so much

 

The "listen to your inner child" phase

The all I needed to know I learned in Kindergarten phenomenon


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