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SLFK 211, Thursday, October 10, 2002

 

Bettelheim review

 

Last lecture &endash; placed Bettelheim in context of Freud and talked about some of the work with child development issues after Freud

In brief &endash; Freud's focus was on pathology in adults and his theory is that this pathology may very well step from an unresolved problem in psychological development that occurs in childhood.

 

Pathology part of Freud's work goes to biochemical research and use of drugs to cure chemical imbalance in the brain

 

Development part becomes big issue and people study children to see what happens when

 

As we said many times

There is a point when kids will eat all sorts of crap, including things off the floor

Then there is the white food stage

Then kids eat more or less normally

If they don't, probably something went wrong

Other eating issues are things like sharing food

Eating in a polite fashion &endash; knife and fork, not hands

Eating quietly

 

Bettelheim: tales aid in this development because they have evolved

Over a long period of time

Through oral telling, and thus in response to child reaction

To meet the needs of the child

To speak in child language

To offer a multiplicity of possible meanings in every tale

 

Briefly: issues like splitting of mother into mother/step-mother reflect child thought

Split personality, multiple personality as the result of child abuse

Tales not real, but true and help develop an internal/external distinction

Where kid can think about doing things that are unacceptable without actually doing them

Tales have generic characters and child can identify with the hero

Tales are multifunctional and can talk about sex to one kid and staying up at night to another &endash; the Sleeping Beauty example

 

Tales deal with issues of concern to the child &endash; like aggression and controlling own angry thoughts

This is distinct from the sort of violent acts that occur in the trickster material I discussed earlier

There, wolf too stupid to know that you can't use your tail as a fishing rod; fox does not realize that tail is part of her body

In the tales that Bettelheim is talking about, this is the violence that is born of anger

As in being angry at mom

And tale having an ending where the stepmother is tied by her braid to a horse; the horse is made to run around the field until only the braid is left.

This is expression of a desire to punish mom

 

This is where tales tell child that having angry thoughts is okay, but doing harmful things as a result of angry feelings is not

 

This is the sort of thing when Jennifer runs over Melissa's arms in one direction and back over her legs in the other.

She is angry at Melissa because of sibling rivalry and has not learned to control this anger &endash; she acts out

Kid who said to mom: tell me a story about wanting to bash J.J.'s head in is trying to control find an outlet for angry thoughts so that they do not lead to angry actions

And this is what tales help do

 

Adults often fail to see this &endash; because their mode of thinking is different from that of the child

One approach &endash; you withhold violent material from the child and the child will never had any angry thoughts and everything will be fine

No more war, no more crime, no more kids beating up other kids

Bettelheim: wish that this were so, but aggressive feelings are natural and inevitable

Trick is learning how to deal with them

Id/ego conflict must, of necessity, lead to some angry thoughts

Or: in addition to libidos or eros, the erotic and creative drive, there is a drive called thanos, which is a destructive drive

It is a necessary and inevitable part of living because it helps you accept inevitable things life death, including your own

 

And note all of the VERY destructive children's rhymes

Which were probably once composed by children and are now purely children's lore, transmitted from one child to the next

As in kid version of Barney song:

Kid version:

I hate you

You hate me

Let's get together and kill Barney

With at 38 and a 44

No more purple dinosaur

 

Joy to the world, for Barney's dead

We barbequed his head

But what about the body?

We flushed it down the potty

Round and round it goes

 

Or: On top of Old Smokey

Glory, glory Halleluiah

Deck the halls with kerosene

 

Show the 3 Red Riding Hoods

 

Other reasons for adult objection to violent material in tales:

Want to see children as sweet and innocent

Do not want to admit that they can have aggressive and violent thoughts

Adult ideal is those pictures of the children with the huge sad eyes

Or things like Hans Christian Anderson

Little Match Girl

Little Mermaid

Tin Soldier

Very sad &endash; which is how ADULTS feel about their own childhood &endash; something that is lost and dead

 

Child reaction: Greg and Tin Soldier

Little Mermaid gets cleaned up

And Little Match Girl might well upset kids

 

Show the Marshak books

 

Adults object to the violence in tales because, at some level, they realize that the giant that gets creamed in the tales is a symbol for dad

And the witch who gets it is a symbol for mom; even more so with the step-mom

 

Adult protection from kids at Halloween which takes extreme measures

Or parents harm children for the sake of protecting them

 

These may be adults who had developmental problems themselves as kids

Did not get the messages of tales

 

Bettelheim: kids' aggressive thoughts natural

And they KNOW that they are bad &endash; should not be acted out

But need help in dealing with these thoughts

Furthermore, since there is all this pressure to have pure thoughts and kid can't help having nasty ones, kid needs ADULT REASSURANCE that the thoughts are okay as long as they are not acted out

Thoughts, as long as they are thoughts and not acts, do not come true

 

Tales provide exactly this

In the fact that an adult tells

Thus providing tacit approval

In the animal head message:

In tales, children with angry or libidinal thoughts are okay

Adults tend to get punished and often pictured with animal heads

Their bodies may have grown out of the animal tales phase (as in they have grown up physically)

But their minds are still in the animal stage: they have not grown up mentally

 

Note characters with animal heads

Beebop and Rocksteady in Teenage Mutant Ninja Turtles

The various characters around Jabba the Hut in Star Wars

Ass's Head folktale

Cauldron-Headed, Ax-Toothed Sister

 

Tales deal with other issues of concern to the child and, because they are age-appropriate, they do so better than other folklore forms, which are more suited to other age groups

 

Tales are better than games, as in kid playing house with a big dolly being the mommy and a little dolly being the baby and the teddy bear being the daddy

This works well with OLDER child who can come up with this configuration

But smaller child cannot and tales provide him the necessary imagery

At that point can act stuff out

Parent toys reprimanding child

 

Tales not only better than games, at least at a certain, early level

Better than other oral material &endash; like jokes

Again, this is older kid stuff

Told by one kid to another when they are in school

 

Note how concerns of children expressed in tales, versus same expression in jokes

Smallest child as simpleton

Appears stupid, triumphs in the end

Often as a result of stupidity

Unconventional and effective approach

Cuts through screen erected by social norms

Tale offers reassurance for child's feelings of stupidity and inadequacy

 

Another concern &endash; desire for children

Tales offer reassurance again

All sorts of people want children

Go to all sorts of extremes to get

Old couple without any children &endash; very tragic

Various creatures in the wild and witches want human children for selves (and not necessarily as food)

 

Jokes deal with same concerns

Proliferation of dead baby jokes

Birth control, abortions

Or perennial (not periodic) concern

Expression of fear (rather than reassurance)

Little moron jokes &endash; expression of same fear as simpleton stories

But again, expression rather than reassurance

 

Microwave oven urban legend

Please note unintentional aggression

Also trickster type content

And substitution poodle/baby

 

Not only are jokes told by somewhat older kids not too great for younger kids, but not all adult-generated stories with violence good for kids

 

Recall Aesop's fables

Grasshopper and Ant &endash; who is kid going to identify with, how will he feel

Hans Christian Anderson and Little Mermaid

Little Match Girl

Adult perspective of death of part of self, death of own childhood

Greg and the Little Tin Soldier on TV

Marshak stories &endash; so cute!

 

NEED FOR FANTASY

Tale offers reassurance for child's feelings of stupidity and inadequacy

Many things that are of concern to child much better handled in fantasy world

Not only violent feelings, as above

But sexual feelings &endash; kid not ready to handle association of love of horses and horse-riding with sex

Much less explicit articulation of Oedipal feelings

 

Fantasy better because child wants to win out over parent and does not want to at same time

If kid can win out over parent, who will protect kid?

Kid knows damn well that he not too capable of caring for self

 

Much better to have character in tale kill giant

(And thus permit release of angry feelings against father)

Than have realistic little boy in photo book outsmart adult

Wise-ass kids on TV, taking care of parents (esp. single parents)

The terror of the latch-key kids

 

Picture books shown to me by Aldrich &endash; book where you write in your own name and all sorts of other relevant data as applies to you and your family

Nice moral lessons, nice photographs, but …

 

Kids fascination with dinosaurs &endash; violent and horrible and VERY FAR REMOVED

Critique other cartoons

Already mentioned Barney

Old cartoons had LOTS of animals

Animal actors removes story from reality and lets it deal with those things that are important to a kid, but can't really be handled except in symbolic form

The fact that it is a CARTOON is also a method of removal

Current cartoons

Arthur the Aardvark &endash; and the situations are those of concern to kids, like sibling rivalry, but treated in too realistic a fashion

Recess and Pepper Ann &endash; cartoon, but children, not animals and fairly realistic situations

Contrast to Southpark &endash; VERY flat and cartoon

Bettelheim would argue that this is for those who were deprived of fantasy in childhood and need to get their dose as teenagers

 

Other stuff that kids watch

Mutant League

Pokemon and Monster Rancher

Starship Trooper Chronicles

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