|
|
|
|
|
|
|
|
|
|
|
SLFK 215, October 7, 2003
Shamanism as an ecstatic practice That has to do with well-being &endash; physical and psychological That was probably extant in the area that we are dealing with
Started presenting shamanic cure Those elements that are like western medicine &endash; pharmacological elements Then talked about techniques of ecstasy and what they do for the shaman and the patient
The shamanic cure is different from what we consider medicine in terms of inducing an ecstatic state But other traits also The shamanic cure is like a performance There is always an audience
Imagine a medical procedure in front of an audience in the US Is done in teaching hospitals and, normally, most people try to avoid Only the poorest do it to save on care And the spectators are very different &endash; they are NEUTRAL and distant observers In a shamanic cure they are participants They are part of the cure
Shamanic cure &endash; there is always an audience; this is routine Part of the reason is that a shamanic cure frequently has to do with social manipulation The problem that makes the person sick is not simply microbial Not just an infection Can be one, but usually something caused by social disequilibrium Person who gets sick is in a difficult social position Men in a society that is patriarchal and matrilocal People who have conflict with family, neighbors And part of cure is manipulating social relations Turner on what a shaman does prior to performing a cure
But there is also a classic description of a shamanic cure of a woman in difficult childbirth Okay, she may have conflict with in-laws
Point here is that a big part of the shamanic cure is his telling a story that makes sense of the illness for a patient Musters the patient's resources and energy so that the body can fight the physical problem
Types of stories Soul loss and soul capture Give examples
Go through a séance Shaman comes into village &endash; talks with people to ascertain the nature of the problem Talks with patient Time and place set for séance Usually sacrifice The séance begins The introduction &endash; setting the scene, setting the mood Music, chanting, dance Can use drugs, though the good ones supposedly don't This can be general fumigation &endash; as in burning of herbs Or shaman drinks an elixir Patient may also drink, perhaps other members of audience Proof of trance &endash; scene and mood achieved Shaman may speak in tongues May wound self without bleeding, or touch extremely hot objects May show proof of spirit presence Suspension of rattle Voices of the spirits The cure &endash; tells a story of self going on a journey to the spirit world to rescue the soul of the patient Either it is lost and needs to be found Or it is being held captive by an evil spirit Shaman needs to fight this spirit, sometimes with the help of tutelary spirits In case of lost soul, tutelary spirits may tell him or her where the lost soul is hidden Positive outcome &endash; in the story &endash; soul is found or rescued Physical evidence Produces bloody worm which was the illness (piece of down that had been held in the mouth and then bite lip or tongue to get blood and make it bloody) May "show" spirit captured in the drum &endash; or soul that has been brought back
Cool-down &endash; shaman collapses, patient falls into deep sleep
The woman in delivery story
Interesting elements of separation of body and spirit Need to tie down body so that it does not follow spirit into the spirit world and get lost there
The séance as theater Shaman acts out the story Climbing through the levels of heaven looking for the soul (origin of term seventh heaven) Climbing world tree Enacting battle
Silly on one level &endash; and very effective As is drama As is film, even though you know who the actors are and that they are acting, that it is not real.
Parallel of shamanism to minstrelsy in the sense that it is a story that helps people, makes sense of life for them
Other parallels
How a person becomes a shaman: Near-death experience The person sees his or her own death Often described as seeing the body dismembered by a deity or master shaman Cooked so there is no flesh on the bones Put back together in the new identity of the shaman-healer
Journey to the land of the dead Seeing dead relatives, dead master shamans of the past
Seeing the "geography" of the spirit world, going on a kind of tour
Spirit wife/husband Tutelary spirit or familiar
Illness, usually extreme The type with high fever and hallucinations May require a shamanic cure Illness is seen as a way of the gods selecting the person for his or her vocation
Injury &endash; again extreme, near-death type
Can be quest for shamanic powers If it is you can guess the form that it will take: Sensory deprivation or extreme stimulation, like pain Fear Very much like the sun dance Bleeding Sitting in a dark enclosure Sleeping on the tomb of the shaman who you want to have as your spirit guide This is cold &endash; but for greater effect, can do it with a wet blanket Great shaman is supposed to be able to spend the night outside with a wet blanket in sub-zero temperature Cut self and not bleed &endash; and have no mark from the cut More quest methods Smearing self with honey and sitting near an ant hill Contemplating own death &endash; usually as part of session lead by a master, with song and dance telling of own death
Turkish minstrels Illness not that common, though some do tell Can be love sickness Quest is quite common &endash; sleeping on tombs of minstrels of the past Mudami's story of beating by dad
The above are all big-time techniques But there are various minor ones that can be useful to them Even in a shamanic society, the big-time technique is seldom used &endash; only for big-time problems Person who undergoes shamanic cure tends to become a shaman, and not too many of those
Sensory deprivation Standing in a shower Lying on the carpet in a dark room Breathing techniques Blood flow control Perhaps most important is the story and illness Taking illness/distress seriously Putting it into context (story) The Prozac, Zoloft example Visualizing effect of exercise to increase effect
More parallels from their experience What we show is the weird stuff because tends not to be noticed otherwise But look at athletes who 1) Practice many of the techniques above 2) Pull off many of the body control tricks we talked about Alexis on girl with dislocated shoulder Gymnast with broken ankle In general &endash; injury not noticed until after
Bicameral mind ideas of Julian Jaynes Ecstatic state is a switch from left brain dominated thinking to right brain dominance This is one of the reasons why whirling is effective in achieving this state
Switch to other half of brain to help organize a paper
|
|
|
|
|
|
|
|
|