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SLFK 215, October 7, 2003

 

Shamanism as an ecstatic practice

That has to do with well-being &endash; physical and psychological

That was probably extant in the area that we are dealing with

 

Started presenting shamanic cure

Those elements that are like western medicine &endash; pharmacological elements

Then talked about techniques of ecstasy and what they do for the shaman and the patient

 

The shamanic cure is different from what we consider medicine in terms of inducing an ecstatic state

But other traits also

The shamanic cure is like a performance

There is always an audience

 

Imagine a medical procedure in front of an audience in the US

Is done in teaching hospitals and, normally, most people try to avoid

Only the poorest do it to save on care

And the spectators are very different &endash; they are NEUTRAL and distant observers

In a shamanic cure they are participants

They are part of the cure

 

Shamanic cure &endash; there is always an audience; this is routine

Part of the reason is that a shamanic cure frequently has to do with social manipulation

The problem that makes the person sick is not simply microbial

Not just an infection

Can be one, but usually something caused by social disequilibrium

Person who gets sick is in a difficult social position

Men in a society that is patriarchal and matrilocal

People who have conflict with family, neighbors

And part of cure is manipulating social relations

Turner on what a shaman does prior to performing a cure

 

But there is also a classic description of a shamanic cure of a woman in difficult childbirth

Okay, she may have conflict with in-laws

 

Point here is that a big part of the shamanic cure is his telling a story that makes sense of the illness for a patient

Musters the patient's resources and energy so that the body can fight the physical problem

 

Types of stories

Soul loss and soul capture

Give examples

 

Go through a séance

Shaman comes into village &endash; talks with people to ascertain the nature of the problem

Talks with patient

Time and place set for séance

Usually sacrifice

The séance begins

The introduction &endash; setting the scene, setting the mood

Music, chanting, dance

Can use drugs, though the good ones supposedly don't

This can be general fumigation &endash; as in burning of herbs

Or shaman drinks an elixir

Patient may also drink, perhaps other members of audience

Proof of trance &endash; scene and mood achieved

Shaman may speak in tongues

May wound self without bleeding, or touch extremely hot objects

May show proof of spirit presence

Suspension of rattle

Voices of the spirits

The cure &endash; tells a story of self going on a journey to the spirit world to rescue the soul of the patient

Either it is lost and needs to be found

Or it is being held captive by an evil spirit

Shaman needs to fight this spirit, sometimes with the help of tutelary spirits

In case of lost soul, tutelary spirits may tell him or her where the lost soul is hidden

Positive outcome &endash; in the story &endash; soul is found or rescued

Physical evidence

Produces bloody worm which was the illness

(piece of down that had been held in the mouth and then bite lip or tongue to get blood and make it bloody)

May "show" spirit captured in the drum &endash; or soul that has been brought back

 

Cool-down &endash; shaman collapses, patient falls into deep sleep

 

The woman in delivery story

 

Interesting elements of separation of body and spirit

Need to tie down body so that it does not follow spirit into the spirit world and get lost there

 

The séance as theater

Shaman acts out the story

Climbing through the levels of heaven looking for the soul

(origin of term seventh heaven)

Climbing world tree

Enacting battle

 

Silly on one level &endash; and very effective

As is drama

As is film, even though you know who the actors are and that they are acting, that it is not real.

 

Parallel of shamanism to minstrelsy in the sense that it is a story that helps people, makes sense of life for them

 

Other parallels

 

How a person becomes a shaman: Near-death experience

The person sees his or her own death

Often described as seeing the body dismembered by a deity or master shaman

Cooked so there is no flesh on the bones

Put back together in the new identity of the shaman-healer

 

Journey to the land of the dead

Seeing dead relatives, dead master shamans of the past

 

Seeing the "geography" of the spirit world, going on a kind of tour

 

Spirit wife/husband

Tutelary spirit or familiar

 

Illness, usually extreme

The type with high fever and hallucinations

May require a shamanic cure

Illness is seen as a way of the gods selecting the person for his or her vocation

 

Injury &endash; again extreme, near-death type

 

Can be quest for shamanic powers

If it is you can guess the form that it will take:

Sensory deprivation or extreme stimulation, like pain

Fear

Very much like the sun dance

Bleeding

Sitting in a dark enclosure

Sleeping on the tomb of the shaman who you want to have as your spirit guide

This is cold &endash; but for greater effect, can do it with a wet blanket

Great shaman is supposed to be able to spend the night outside with a wet blanket in sub-zero temperature

Cut self and not bleed &endash; and have no mark from the cut

More quest methods

Smearing self with honey and sitting near an ant hill

Contemplating own death &endash; usually as part of session lead by a master, with song and dance telling of own death

 

Turkish minstrels

Illness not that common, though some do tell

Can be love sickness

Quest is quite common &endash; sleeping on tombs of minstrels of the past

Mudami's story of beating by dad

 

The above are all big-time techniques

But there are various minor ones that can be useful to them

Even in a shamanic society, the big-time technique is seldom used &endash; only for big-time problems

Person who undergoes shamanic cure tends to become a shaman, and not too many of those

 

Sensory deprivation

Standing in a shower

Lying on the carpet in a dark room

Breathing techniques

Blood flow control

Perhaps most important is the story and illness

Taking illness/distress seriously

Putting it into context (story)

The Prozac, Zoloft example

Visualizing effect of exercise to increase effect

 

More parallels from their experience

What we show is the weird stuff because tends not to be noticed otherwise

But look at athletes who

1) Practice many of the techniques above

2) Pull off many of the body control tricks we talked about

Alexis on girl with dislocated shoulder

Gymnast with broken ankle

In general &endash; injury not noticed until after

 

 

Bicameral mind ideas of Julian Jaynes

Ecstatic state is a switch from left brain dominated thinking to right brain dominance

This is one of the reasons why whirling is effective in achieving this state

 

Switch to other half of brain to help organize a paper



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