Burmese Harp - Criterion Collection (2007) Japan
Burmese Harp -  Criterion Collection Image Cover
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Director:Kon Ichikawa
Studio:Criterion
Producer:Masayuki Takaki
Writer:Natto Wada
Rating:4.5 (35 votes)
Rated:Unrated
Date Added:2010-02-22
ASIN:B000M2E3FY
UPC:0715515022729
Price:$29.95
Genre:Art House & International
Release:2007-03-13
Duration:116
Aspect Ratio:1.33:1
Languages:Japanese
Subtitles:English
Features:Black and White
Custom 1:012
Kon Ichikawa  ...  (Director)
Natto Wada  ...  (Writer)
 
Rentarô Mikuni  ...  
Shôji Yasui  ...  
Tatsuya Mihashi  ...  
Jun Hamamura  ...  
Taketoshi Naitô  ...  
Minoru Yokoyama  ...  Cinematographer
Masanori Tsujii  ...  Editor
Tags: Buddhism Drama Asia Course

Summary: Kon Ichikawa's Buddhist tale of peace, "The Burmese Harp", is universally relevant in various eras and cultures, although it comments specifically on the destruction of Burma during World War II. Based on the novel by Michio Takeyama, "The Burmese Harp" stars a Japanese platoon stationed in Burma whose choir skills are inspired by their star musician, Private Mizushima (Rentaro Mikuni), who strums his harp to cheer the homesick soldiers. As the troop surrenders to the British and is interred in Mudon prison camp, Mizushima escapes to be faced with not only his imminent death, but also the deaths of thousands of other soldiers and civilians. Relinquishing his life as a military man, Mizushima retreats into a life of Buddhist prayer, dedicating himself to healing a wounded country. Filmed in black and white, strong visual contrasts heighten the divide between peace, war, life, and death in this highly symbolic film. Scenes in which the Japanese soldiers urge opposing forces to sing with them portray military men regardless of alliance as emotionally sensitive. Showing the humanistic aspects of war, such as the male bonding that occurs between soldiers, doesn't justify war as much as deepens its tragedy. This release includes interviews with the director and with Mikuni, further contextualizing its place in Japanese cinema. "The Burmese Harp", with its lessons in compassion and selflessness, is so transformative that viewing it feels somewhat akin to a religious experience. "--Trinie Dalton"