Madadayo (1998) japan
Madadayo Image Cover
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Director:Akira Kurosawa
Studio:Fox Lorber
Producer:Seikichi Iizumi
Writer:Ishirô Honda
Rating:4.5 (23 votes)
Rated:Unrated
Date Added:2010-04-16
ASIN:B000059H7C
UPC:9780794200077
Price:$19.95
Genre:Art House & International
Release:2001-03-13
Duration:134
Aspect Ratio:1.85:1
Sound:Dolby Digital 2.0 Stereo
Languages:Japanese
Subtitles:English
Akira Kurosawa  ...  (Director)
Ishirô Honda  ...  (Writer)
 
Tatsuo Matsumura  ...  
Kyôko Kagawa  ...  
Hisashi Igawa  ...  
Jôji Tokoro  ...  
Masayuki Yui  ...  
Tags: Buddhism Drama

Summary: Akira Kurosawa was 83 years old when he made this, his serenely glorious final film. Kurosawa's eyesight was failing, so "Madadayo" would be the master's farewell to filmmaking, and one can hardly imagine a more lovely and loving way to end one of the greatest careers in motion picture history. Based on the literary works of Japanese author Hyakken Uchida, the film presents Uchida as its central character (named only "The Professor"), and begins in war-torn Tokyo with the "sensei"'s retirement from teaching in 1943. He is considered "solid gold" by his legacy of former students, who support their beloved teacher as he focuses on writing and throw annual birthday parties in his honor. Each year they ask "Maadha kai?" ("Are you ready?"), to which the aging professor responds, "Madadayo!" ("Not yet!"), acknowledging that he will die someday, but only when he's ready.
While "Madadayo" may not be autobiographical, the professor (played with charming grace by Tatsuo Matsumura) is clearly Kurosawa--a beloved master reflecting on life, continuing to teach, and expressing gratitude for a long and rewarding career that was "not yet" over. This is a calm and simple film of peaceful resolution, in which the only major crisis is the loss of a cat--an episode both heartbreaking and, finally, as life affirming as the professor's benevolent wisdom. And while Kurosawa was criticized for being sentimental when "Madadayo" was released in Japan in 1993 (it didn't reach Western shores until 2000), there's an important distinction to be made between sentiment and the twilight serenity of one of the cinema's most eloquent humanitarians. Closing with a final dream image that's as beautiful as only dreams can be, "Madadayo" is, in its own way, as miraculous as any of Kurosawa's previous masterworks. "--Jeff Shannon"